Replying to @⁨Aatube@kbin.melroy.org⁩

I still have an iPhone and I prefer the pictures my Fuji Finepix took back in the 2000s. It didn’t put that weird fisheye effect on landscapes that make background objects look like they’re a kilometre away when they were only a few meters away. I’m still surprised by how good those pictures are, and the way the lens automatically extends and retracts is just joyful. I never think that of my iPhone.

The pictures are more grainy, and have other shortcomings. But they look like what I saw with my eyes.

Replying to an earlier post

There are very few (sub-$1500) point-and-shoot digital cameras of decent quality to even compare any more*. The ones that are left are targeted at vloggers, and despite how neat phone camera technology is (and it is incredible), it’s often astonishing how good a compact camera with a modern sensor and decent zoom has gotten.

It’s a shame the market got hollowed out by phones, because over the past few years, phones have just gotten more hallucinatory with their output images in an attempt to “fix” the photos they’re talking, and hardware innovation has stalled out. Because of course it has. They don’t have the space of a dedicated camera.

* IMO it is a disservice to Sony that the author mentions their $1500 camera but not the very similar ZV-1 model that’s only $800.

YouTubeWhy New Smartphone Cameras Feel Worseby Marques Brownlee

Replying to @⁨XLE@piefed.social⁩

and hardware innovation has stalled out. Because of course it has. They don’t have the space of a dedicated camera.

You’re totally not going to fit even a micro four thirds sensor in a phone, but there are a bunch of Chinese phones with larger sensors. Although they can be a PITA to find if you’re on the US, reviews like them.

I suspect the reason why we don’t see them from the mainline phone manufacturers comes down more to hardware BOM cost than packaging or size.

en.wikipedia.orgList of large sensor camera phones - Wikipedia

Replying to an earlier post

I don’t know off the top of my head, but I did a search in here the results.

I thibk the ones I had heard of were Tangerine and maybe the Stephen Soderberg ones.

Collider12 Movies That Were Shot on iPhones, RankedFrom the anticipated sequel to 28 Days Later to Sean Baker's drama Tangerine, we explore some movies partially or entirely shot on iPhones.

Replying to an earlier post

Crux of Article:

But it would be a shame to see you blow hundreds of dollars on a “vintage” point-and-shoot (a phrase I cannot believe I’m actually typing) or the reanimated corpse of a long-dead pocket camera under the mistaken impression that it’s anything more than a toy destined for the junk drawer once the novelty wears off after a few weeks.

So I have to chuckle when I hear anyone waxing romantic about the vibe of those old pocket-cam photos, because their grainy, blurry, flat shots were a serious source of discontent back in the day. The search for the least-worst image quality was the entire reason I had a job.

HR-7280C001-powershot-elph-360hs-a-blk-primary-bgfillThe VergeCanon is bringing back a point-and-shoot from 2016 with fewer features and a higher price (it’s viral)A $379 point-and-shoot with a USB Mini port — in 2025.

Replying to @⁨Aatube@kbin.melroy.org⁩

My Minolta Dimage was pretty decent in it’s time; I used it at a wedding and got better photos than the professional photographer using film. It was all about understanding the device’s strengths and limitations. The Dimage was great because it had a solid burst mode, so I’d take 1,000 photos where the professional took 30.

Of course, I still eventually moved on from that camera to a decent DSLR camera, which I still use when I go somewhere with the intent to take composed photos.

But the old rule still bolds true: the best camera to use is the one you have on you when the photo presents itself. And everyone tends to have their phone handy, even if they have limited control over focal depth and aperture and try to make up for it in post.

Replying to @⁨Aatube@kbin.melroy.org⁩

I grew up during 110 & 35mm point and shoots… I even shot on 120mm medium format a bit… then I moved to digital p&s and finally iPhones/Smartphones. As an avid photographer, I’ve also owned and used extensively my SLR and DSLR’s (and now Mirrorless “DSLR”).

I absolutely loved my Canon SR-T 101, then my Canon T6s, and finally I recently picked up a Canon R6. I own more L series glass than I care to admit and will choose that experience and the output and control I have over those photos above pretty much anything else.

But I’ll say this: the best camera to capture a moment is the one in your hand. A modern iPhone takes pretty solid photos. Definitely better than some I’ve used along the way. Is it perfect, no. But most of the time, the choice is “take a photo with what you’ve got, or miss the opportunity”. Now, for obvious reasons I don’t always carry my R6 with a 24-105L attached, but at least I can still get some decent photos.

If you like the aesthetic of an early 2000’s Point and Shoot, have fun! learn it well and it’ll probably get you some interesting photos. That’s the joy of photography. The composition, medium and subject are only part of the style and everyone can have their own flair and decide what they like.

Do I wish there were some modern P&S pocketable cameras, yep… but I already have a phone that takes up that spot and it’s always on me anyway.

Replying to @⁨thejml@sh.itjust.works⁩

This is what the article says on the "early 2000s aesthetic" point:

If you want noisy or blown-out photos on purpose, plenty of apps can fake it for you.

Wirecutter: Reviews for the Real WorldFinally, an iPhone Camera App You’ll Actually UseIf you’re tired of over-sharpened iPhone photos, Mood.camera is packed with natural-looking, fully adjustable presets that make mobile photography fun again.

Replying to @⁨Aatube@kbin.melroy.org⁩

I don't know if I'm alone in this, but I really don't like the basic ergonomics of taking photos with my phone. To me there's no comparison to the weight and layout of a dedicated camera.

Ok top of that, I like to fiddle with settings and focus manually, and I don't want my images to be automatically filtered through AI or scraped by Google.

I can certainly agree that a big part of photography is being in the right place at the right time and using whatever camera you have to take the photo. And I know that the phone cameras these days are pretty good and more than enough for the casual user, but I like a dedicated camera, even a cheap and old one, if only for the experience of taking photos that way.

Replying to @⁨mrmaplebar@fedia.io⁩

The ergonomics aren’t great compared to a dedicated camera. The camera sensor not being in the middle is annoying unless your subject is far away. Having to hold the phone so that you don’t accidentally touch the screen, accidentally block the camera, etc. is not ideal. The shutter is never in a great position, even if you do something like use the volume button as a shutter.

Even flip phone cameras were more convenient than that. With those the camera was roughly in the middle, and you could hold the phone in a way that felt less awkward.

OTOH, the thing that killed cameras for me was the ergonomics of getting the pictures off the camera and backed up online. You either needed to remove the memory card from the camera, make sure you had a USB to memory card adapter, plug it into a computer, drag the files somewhere, etc. then wait for that to complete, and remember to put the memory card back into the camera.

For a short while, the cameras claimed to have WiFi, but it wasn’t like you could just connect them to your home router and let the camera connect to the Internet and upload the photos. No, the camera created its own WiFi hotspot and you had to connect your laptop or something to that hotspot and transfer the files that way.

To me, the killer feature of phone cameras (aside from always being in my pocket) was that to back up the pictures I’d taken I had to… do nothing. I’d get home, use my phone as normal, and within half an hour, the photos were already online and backed up.

Replying to @⁨Aatube@kbin.melroy.org⁩

Probably because upvoters know that iPhone actually can’t do long exposures (it fakes them by adding blur) and it’s time lapse photography is very limited (need a paid app for that, the default one limits the video to 40 seconds no matter how long you film), which in addition to being being unable to modify aperature settings directly (as you mention) is pretty much everything OP was asking for…

Replying to @⁨Aatube@kbin.melroy.org⁩

For me it’s all about focus. Not with a lens and a receptor, but of my mind. I can’t take serious picutres with the thing I just watched cake fart fetish videos on and that my boss is calling me on while I’m trying to capture something beautiful. If you want a record of something, sure pull out your phone. If you want to force yourself to take thoughtful photographs, an actual camera is an excellent tool, even at half the megapixels.

Replying to @⁨Aatube@kbin.melroy.org⁩

That one is a more traditional film photo, not CCD bloom. But fair point.

It’s just that I have found myself in situations where groups of drunk 20-somethings ask me to take their photo with a vintage digicam. And having seen the results I get why they’re fun, the flash is strong and it makes things pop up so differently.

I guess it could be simulated, but I doubt they had the latest iPhone in their pocket and taking the photo wouldn’t have been as fun anyway. Also that flash would be difficult to make it work realistically.

Replying to @⁨billwashere@lemmy.world⁩

Yes, I had a really nice canon slr and a rollei compact with the good zeiss glass, but went on a long cycle trip and grams counted, so I reused a disposable camera: plastic fixed lens, single speed, reloading it inside the sleeping bag at night and sealing it up with duck tape. Developed at whatever one-hour available at the small towns we passed through.

Turned out okay, but great shots. I sold many of those photos. Because I had any camera at all.

Replying to @⁨enumerator4829@sh.itjust.works⁩

what the article said about its successor:

The best camera for street photography Ricoh GR IV: Ricoh GR IV

This camera looks like a classic soap-bar-style point-and-shoot but packs a big APS-C sensor and a seriously sharp lens. But it shoots only wide-angle photos, and it lacks a viewfinder.

The Ricoh GR IV is the Platonic ideal of a street-photography camera, especially if you like to shoot quickly and covertly. Its minimalist design won’t catch anyone’s attention, you can easily slip it into and out of a pants pocket, and its wide-angle field of view and unique Snap Focus feature let you quickly shoot from the hip. If you want to take more time with your compositions, it’s a great all-around travel camera, too.

But skinny-jeans pocketability comes at a cost: This camera lacks an electronic viewfinder (an optical viewfinder is available separately), its rear display doesn’t tilt, and its wide-angle lens doesn’t zoom.

If you like the idea of the Ricoh GR IV but prefer a field of view closer to that of a classic “normal” lens: Ricoh is still producing last generation’s GR IIIx. It’s almost exactly the same camera as the discontinued GR III, but with a 40mm-equivalent lens.

Compared with the GR IV we recommend, it has a very slightly lower resolution sensor (24 megapixels), uses an older (but still effective) version of shake reduction, has a slightly different control scheme, and doesn’t include the Cinema Yellow and Cinema Green film modes. However, the overall shooting experience is quite similar.

Replying to @⁨Aatube@kbin.melroy.org⁩

There was always three things that made a standalone camera better than a smartphone camera: larger sensors, better glass, better ergonomics. For most people people those advantages went away once computational photography got good enough and technology improved which allowed for very compact lenses on larger sensors.

I’ve got a different background than most photographers in that I have a lot of experience in testing camera image quality. For me, a full frame mirrorless is still the way I prefer to take photos, as it has noticeably better and more natural looking images due to better hardware. Phone cameras suck in some ways like having realistic depth of field (portrait modes look so bad to me), but they also excel in using image stacking and AI enhancements to alleviate the hardware downsides to the point that I’ll sometimes prefer the phone over the prospect of trying to achieve the same on my full frame.